Sunday, September 16, 2012

Why I Am Not Board Certified

I am not, nor likely to become, a board certified clinical neuropsychologist. I have toyed with the idea, going as far as to apply and get accepted for taking the written examination. I have all the appropriate training and background. And I strongly recommend that my trainees consider pursuing the ABPP/ABCN (cf., American Board of Professional Psychology/American Board of Clinical Neuropsychology) option. To support that, I have even become an affiliate of the American Academy of Clinical Neuropsychology (AACN), the home of board certified neuropsychologists with ABPP credentials. But when it comes to actually completing the process, I continue to balk and hold back. And despite dabbling with the idea of pursuing ABPP status in Child and Adolescent Psychology (which I still may do), I remain ambivalent at best about board certification in clinical neuropsychology. Perhaps it is time to share why ...

First, and perhaps most important to my ambivalence, is the fact that at this time, there are three (yes, three) boards jockeying for some kind of position and status in the area of clinical neuropsychology. Two of these boards are now affiliated: ABN (the American Board of Professional Neuropsychology) and ABPdN (the American Board of Pediatric Neuropsychology), although each has in the past been a separate entity, competing for attention. Now, I am a pediatric neuropsychologist, so it might be wondered, why not go for that board as certification of my skills? Perhaps the easiest way to answer is to say that ABPdN appears to be a board without much of a mandate, or even any consistent constituency, making the option for membership unpalatable at best and still perhaps even suspect at worse. None of the key researchers, teachers, or mentors in the area of pediatric neuropsychology, with whom I have any relationship, have any connection with this board, and as such, the leaders of the organization appear to have little to no organizational support for their efforts or actions. In contrast, ABCN is a component of the ABPP, which holds strong support within organized clinical psychology. It however does not truly sit as a welcome home for me, as someone who first and foremost identifies as a clinical psychologist, who then specializes in neuropsychology.  I find that it often emphasizes the small constituent parts of practice, as opposed to the broader gestalt of working with individuals, particularly children and adolescents, from a holistic perspective.  I remind myself that this may be an error of perception; but it is a worry that sits heavily with me.  And keeps me a bit skeptical in turn.

Second, I recognize that I represent an aspect of the profession that remains somewhat suspect, to my peers outside of the academy.  I identify strongly as an academic, who integrates research with practice.  I work within a University setting where I undergo repeated reviews of my effort and progress - my scholarship and the success of my practice are simultaneously reconsidered, as part of my reappointment process, every five years.  By both a group of my professional peers and by my colleagues more broadly across the medical disciplines.  This leaves me feeling that the imprimatur of board certification is really a bit superfluous.  I have to go through a review of my work and my identity as an expert more often than I would ever do so within the framework of board certification.  And in a manner that ultimately feels more rigorous, given the breadth of the review.  It again may be a matter of perception, but it also weighs heavily when I think about the process of taking a written test, mostly about adult functioning and its assessment, and then submitting for review my work as an evaluator, and then undergoing a three hour interview.  I find that it leaves me sitting in a place of tension, that I am not quite willing to expand.

Lastly, I really wonder what it all will do for me in the end.  I have jumped hard and high through numerous hoops to date.  I agree that licensure is only one step of the process, but as a published, funded, and well sought out expert -- I believe that I have already shown that I am a worthy representative of my disciplines.  I have the credentials that I need already well in place, it seems.  Is having one more -- the sign that my colleagues have allowed me into their club -- really going to change anything?  I believe that I have already been accepted into the club.  Having some additional letters after my name, and another professional society bill to pay each year, isn't really going to do much more.

I remain open to reconsideration of this belief.  But for now, I admit that I am really much too busy to worry about it, when push comes to shove.

A week full of art to come

The upcoming week is one of much activity on the art front, with the premier of EXPO Chicago on Wednesday, coupled with multiple events and openings tied to this year's iteration of Gallery Weekend Chicago.  As I prepare for the onslaught of viewing and socializing that will unfold, I am taking a bit of a step backward, and perusing through the offerings that will most likely occupy my energy and time; a process of taking in the big picture and deciding how the internal details will potentially come together.  That this set of events coincides with the Days of Awe (Rosh Hashana and Yom Kippur) is an interesting coincidence; for it ensures that much of what I will be contemplating and focusing on will be how the spirit and will are manifest in multiple forms of creativity.  Repentance and redemption will be strongly considered through a very different lens than in years past.

Tonight is comprised of both thoughts of the year I am leaving behind and a thankfulness about what is coming forward in the months that will unfold.  That this has been a year full of both academic and artistic endeavors, as well as challenges and new opportunities leaves me feeling welcome and a bit humble.  Both luck and skill seem to have fostered some interesting successes, as well as some not so welcome losses.  I am curious about what will transpire now in turn, both in the immediate days ahead, as well as in the months that will follow.  Much is on my plate.  Much needs to be reconsidered.  And with all of that, opportunity for new ways of seeing both myself and my talents.

I offer some thoughts about where others should also focus, as EXPO and GWC come up:

Don't miss the opportunity, if you can take it in, to hear Todd Levin in discussion with Sterling Ruby, as part of EXPO Dialogues.  This coming Friday, 9/21.  It should be engaging and enlightening, about practice and opportunity in a global art market.

See the work that Jason Lazarus and Wendy White have produced for Andrew Rafacz's booth at EXPO Exposure.  It is truly beautiful and quite provocative.  And definitely go to Andrew's opening this coming Friday evening -- John Opera premiers his most recent works, cyanotypes on canvas.  They are a daring step forward and catch you off guard.

Hit the west side galleries -- see the current shows that Western Exhibitions, Rhona Hoffman Gallery, Document, Alderman Exhibitions, Volume, Kavi Gupta, Thomas McCormick, and Aspect Ratio are presenting.  There is really fine work at each, crossing the borders of historical (McCormick) to truly performative and conceptual (Alderman).  What I have been able to take in already has me doing a lot of hard thinking about process and execution.

I am looking forward to seeing how the Mission has handled Marcelo Grosman's work, in their show "Guilty!"  It is big work and quite provocative in its presentation.  

Dahn Vo is opening his exhibition at the Renaissance Society and the Art Institute of Chicago by showing pieces of "We the People," his to-scale reproduction of the Statue of Liberty.  He is also presenting "Uterus," a survey of new work.  This is an opportunity to truly take in how Vo reconceptualizes identity and history, to bridge present with past.  His lens is strikingly clear, while the story is multi-layered.  I am very curious.  I think others should be too.

There will be much to consider about EXPO, both as it is unfolding, and then after it has departed.  I am excited by what Tony Karman and his team are attempting to create.  I have been lucky to have been included in some of the preparatory events and to share my own vision.  I look forward to seeing his come to fruition.  And to see the response of collectors to a fall weekend in Chicago.  As to what the work will be, at the fair ... from what I have been allowed to see coming from several galleries, including Honor Fraser in LA and Rhona Hoffman here in Chicago, it will be a series of quite well considered offerings.

There are some truly exceptional exhibitions at the museums here in town, to be taken in and considered: Karen Reimer's survey show at Gallery 400 is just simply a shining representation of her practice.  I grow increasingly taken with each viewing of her work.  And I remain excited by both Industry of the Ordinary's exhibition at the Chicago Cultural Center and the Jimmy Robert survey at the MCA.  Both included work that left me rather off-guard.

Lastly, I anticipate a great experience next Saturday listening to John Yau interview Gary Stephan at Dan Devening Projects.  Gary's work is terribly addictive -- the gestures simple, yet visually dynamic.  His practice has evolved, I have learned, into something quite well considered.  I look forward to learning how and why.

I anticipate a very interesting post-mortem.  But for now, l'shana tova.  And may you be well inscribed in the book of life.https://www.facebook.com/Chgohunt